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With recent club-play from Jesse Rose, Matthias Tanzmann, Dirt Crew, Dan Curtin, Jimpster and M.A.N.D.Y, the deepchild sound continues to turn heads internationally as well as at home...

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Deepchild is Australian DJ/producer Rick Bull – a stalwart of the Sydney deep-house/minimal-tech community and long-time radio presence on the airwaves of Fbi 94.5FM radio, where he hosts the award-winning ‘Monday Sunsets’ each week from 6-8pm, recently voted 'best national radio-show' in the 2006 Australian Dance Music Awards.

With top billing European shows along-side the likes of M.A.N.D.Y, Jesse Rose (at the infamous Panoramabar in Berlin!), Richie Hawtin (to a crowd of over 20.000 at Serbia's massive EXIT Festival), remix work for techno superstars, Booka Shade, there's much that can be said for this genre-mashing producer. If the increasingly demanding international schedule of weren't enough (try playing Germany and then Kuala Lumpur in the space of 4 days!), a string of highly successful 12"s and remixes last year have well and truly solidified deepchild's reputation as a serious 'contender' in the saturated international dance-music community.

From rare collaborations/remixing work with Force-Inc's legendary producer, Luomo, Booka Shade, to Audiomontage (aka Freerange Record's own Jimpster), Russia's D-Pulse, Square-One (UK), Colourblind (FR) and detroit-funkateers Bumper (MDEX Records, US), a steady stream of dance-floor 'dub-wise techno' releases have ensured deepchild tunes have graced many a dj crate the world over. Tweaked-out micro-house, funked-out electro quirk and sublime 'fathomless and heavenly' (Sydney Morning Herald) deep-house joints all flesh out the truly diverse range of deepchild productions. Dub, soul, West-Coast hip-hop and r'n'b, minimal techno and freaked-out post-disco are all thrown into the eclectic mix that is uniquely ‘deepchild’. The 'unifying force'? A muscular, warm and human approach to forward-thinking 'machine-music' that is sensual and jackin! Little wonder, then, that well-respected UK music journal, The Wire, went as far as to proclaim that this sound was "as sexy and addictive as new-dub electronica gets".

When Stereo-Heaven (the biggest dj store in Essen, Germany) found that their biggest selling tech-house record was infact written in a small share-house studio in Sydney's Inner-West (deepchild's "No Disgrace", on Future Classic), they took the time to make special mention of what is indicative of deepchild's head-turning appeal: