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 Bacheler Consort's Profile |
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| Last Login: | Nov 26, 2009 (5 days back) |
About Me |
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The Bacheler Consort is named after the English lute virtuoso Daniel Bacheler (1572–1619), a most imaginative composer of instrumental music during the late Elizabethan era. The Consort varies its ensemble size and instrumental lineup to offer a variety of music concerts, from intimate recitals of lute music, played on a matched set of gut-strung Renaissance lutes (soprano, tenor, and bass), to fully-staged masques and dramatic works employing a mixed consort (lute, violin, bass viol, flute, cittern, bandora) and dancers from the New York Historical Dance Company.Professional MySpace Layouts by Iron Spider |
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My Interests |
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Music:Member Since: 06/02/2007Band Members: Christopher Morrongiello The group’s director, is a graduate of the Mannes College of Music, the Royal College of Music, and Oxford University, where he recently earned a Ph.D. in Music. In 1996 the Marco Fodella Foundation awarded him a scholarship for studies in Milan, and in 2006 the Lute Society of America conferred upon him its first Patrick O'Brien LSA Seminar Lectureship. Christopher records and performs with the Venere Lute Quartet and the soprano Emily Van Evera. His recording with Ms. Van Evera, My Lady Rich (Avie Records 0045), has been described by Richard Mackenzie of Renaissance Magazine as “a presentation of unusual quality and beauty.” Christopher teaches lute and related historical plucked fretted instruments in Long Island, New York. Matthew Weinman Earned his B.Mus. in historical performance from the Mannes College of Music and his M.A. in musicology and music education from Columbia University. He has performed both as a soloist and a continuo player for 15 years. Mr. Weinman is an expert in the theories and techniques of historical musical composition as well as the history of Renaissance ballads and tunes. He is currently writing The Renaissance Fake Book and The Euphonious Lute , a 16th century performance practice book and collection of original compositions for Renaissance Lute solo, duets, trios, and consort music. Diann Flanagan Diann's interest in the lute and Renaissance music follows twenty years of classical guitar study. Diann has extensive knowledge of sixteenth-century lute manuscripts and prints and is currently editing the complete works of Giovanni Pacoloni. She is also editing a number of important lute manuscripts copied out by Renaissance women as well as studying the cultural and social significance of the lute in their lives. Doc Rossi Doc has performed as a soloist and with various early music groups across North America and Europe. One of only a handful of players who specialize in the 18th-century cittern, he is involved in recording projects and performances dedicated to 18th-century composers for plucked string instruments. Also a scholar, Dr. Rossi has published The Compleat Cittern, a method for 18th-century cittern, and a modern edition of Thomas Robinson’s New Citharen Lessons (1609), plus articles dealing with guitar and cittern history, and with Shakespeare, Brecht, and the Beat Generation. Doc performs and records with J.A.DE Cie Henri Agnel. The New York Historical Dance Company An elite dance group devoted to the study, recreation and performance of dances from the fifteenth through the early twentieth centuries. Costumed in period clothing, the company performs social and theatrical dances from Europe and America. Dorothy Olsson The New York Historical Dance Company director, has had training in both music and dance; she received her Masters of Music of Musicology from Manhattan School of Music and her Ph.D. in Performance Studies at New York University, with a dissertation on early 20th-century dance. She has presented numerous workshops, choreographies and performances of historical dance, and written books and articles about historical dance. Dr. Olsson was an Assistant Professor of Dance Education at New York University for ten years. Kaspar D. Mainz Artistic director, has appeared in more than 250 theatrical performances in Germany, Austria, Luxembourg and the Netherlands. He is the Artistic Director of Deliciae Theatrales, a group that specializes in theater, dance and music performances for children. He has taught at Salzburg University, University of Leipzig, Salzburg Mozarteum, andUniversity of Graz. Mr. Mainz has offered workshops in historical dance in Europe and the United States. Record Label: Unsigned |
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My Background and Lifestyle |
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| Occupation: | Music Artist (Classical) |
My Blog |
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Spammers and Hackers |
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| Dear Friends,
If you ever receive an inappropriate message from our space or read something in this blog that is sexually inappropriate, please know that it is not from us.
There is no punishment hars... Posted by on Fri, 18 Apr 2008 05:54:00 GMT |
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Bacheler Consort's profile has been tagged with the following keywords. Click a tag to search for profiles with the same tags. lute society of america, renaissance lutes, mannes college of music, renaissance lute, lute music, consort music, patrick obrien, bass viol, marco fodella foundation, richard mackenzie, renaissance magazine, myspace layouts, violin bass, continuo player, bacheler, ensemble size, musical composition, music concerts, historical dance, bandora |
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