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 the Jam!'s Profile |
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FOR FANS OF THE JAM!!!! |
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| Country: |  United Kingdom |
| Last Login: | Jun 25, 2008 (75 days back) |
About Me |
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| The Jam were the most popular band to emerge from the initial wave of British punk rock in 1977; along with the Sex Pistols, the Clash, and the Buzzcocks, the Jam had the most impact on pop music. While they could barely get noticed in America, the trio became genuine superstars in Britain, with an impressive string of Top Ten singles in the late '70s and early '80s. The Jam could never have a hit in America because they were thoroughly and defiantly British. Under the direction of guitarist/vocalist/songwriter Paul Weller, the trio spearheaded a revival of mid-'60s mod groups, in the style of the Who and the Small Faces. Like the mod bands, the group dressed stylishly, worshipped American R&B, and played it loud and rough. By the time of the group's third album, Weller's songwriting had grown substantially, as he was beginning to write social commentaries and pop songs in the vein of the Kinks. Both his political songs and his romantic songs were steeped in British culture, filled with references and slang in the lyrics, as well as musical allusions. Furthermore, as the Jam grew more popular and musically accessible, Weller became more insistent and stubborn about his beliefs, supporting leftist causes and adhering to the pop aesthetics of '60s British rock without ever succumbing to hippie values. Paradoxically, that meant even when their music became more pop than punk, they never abandoned the punk values .. if anything, Weller stuck to the strident independent ethics of 1977 more than any other punk band just by simply refusing to change. Weller formed the Jam with drummer Rick Buckler, bassist Bruce Foxton, and guitarist Steve Brookes while they were still in school in 1975; Brookes quickly left the band and they remained a trio for the rest of their career. For the next year, the band played gigs around London, building a local following. In February 1977, the group signed a record contract with Polydor Records; two months later, they released their debut single, "In the City," which reached the U.K. Top 40. The following month, the group released their debut album, also called In the City. Recorded in just 11 days, the album featured a combinations of R&B covers and Weller originals, all of which sounded a bit like faster, more ragged versions of the Who's early records. Their second single, "All Around the World," nearly broke into the British Top Ten and the group embarked on a successful British tour. During the summer of 1977, they recorded their second album, This Is the Modern World, which was released toward the end of the year. "The Modern World" made it into the Top 40 in November, just as the Jam were beginning their first American tour. Although it was brief, the tour was not successful, leaving bitter memories of the U.S. in the minds of the band. This Is the Modern World peaked in the British charts at number 22, yet it received criticism for repeating the sound of the debut. The band began a headlining tour of the U.K., yet it was derailed shortly after it started when the group got into a nasty fight with a bunch of rugby players in a Leeds hotel. Weller broke several bones and was charged with assault, although the Leeds Crown Court would eventually acquit him. The Jam departed for another American tour in March of 1978 and it was yet another unsuccessful tour, as they opened for Blue Öyster Cult. It did nothing to win new American fans, yet their star continued to rise in Britain. Bands copying the group's mod look and sound popped up across Britain and the Jam itself performed at the Reading Festival in August. All Mod Cons, released late in 1979, marked a turning point in the Jam's career, illustrating that Weller's songwriting was becoming more melodic, complex, and lyrically incisive, resembling Ray Davies more than Pete Townshend. Even as their sound became more pop-oriented, the group lost none of their tightly controlled energy. All Mod Cons was a major success, peaking at number six on the U.K. charts, even if it didn't make a dent in the U.S. Every one of the band's singles were now charting in the Top 20, with the driving "Eton Rifles" becoming their first Top Ten in November 1979, charting at number three. Setting Sons, released at the end of 1979, climbed to number four in the U.K. and marked their first charting album in the U.S., hitting number 137 in spring of 1980. At that time, the Jam had become full-fledged rock stars in Britain, with their new "Going Underground" single entering the charts at number one. During the summer, the band recorded their fifth album, with the "Taxman"-inspired "Start" released as a teaser single in August; "Start" became their second straight number one. Its accompanying album, the ambitious Sound Affects, hit number two in the U.K. at the end of the year; it was also the band's high-water mark in the U.S., peaking at number 72. "That's Entertainment," one of the standout tracks from Sound Affects, charted at number 21 in the U.K. as an import single, confirming the band's enormous popularity. "Funeral Pyre," the band's summer 1981 single, showed signs that Weller was becoming fascinated with American soul and R&B, as did the punchy, horn-driven "Absolute Beginners," which hit number four in the fall of the year. As the Jam were recording their sixth album, Weller suffered a nervous breakdown, which prompted him to stop drinking. In February 1982, the first single from the new sessions .. the double A-sided "Town Called Malice"/"Precious" .. became their third number one single and the band became the first group since the Beatles to play two songs on BBC's Top of the Pops. The Gift, released in March of 1982, showcased the band's soul infatuation and became the group's first number one album in the U.K. "Just Who Is the 5 O'Clock Hero" hit number eight in July, becoming the group's second import single to make the U.K. charts. Although the Jam was at the height of its popularity, Weller was becoming frustrated with the trio's sound and made the decision to disband the group. On the heels of the number two hit "The Bitterest Pill," the Jam announced their breakup in October of 1982. The band played a farewell tour in the fall and their final single, "Beat Surrender," entered the charts at number one. Dig the New Breed, a compilation of live tracks, charted at number two in December of 1982. All 16 of the group's singles were re-released by Polydor in the U.K. at the beginning of 1983; all of them recharted simultaneously. Bruce Foxton released a solo album, Touch Sensitive, and Rick Buckler played with the Time UK; neither of the efforts were as noteworthy as the Jam biography the two wrote in the early '90s, which contained many vicious attacks on Weller. Immediately after the breakup of the Jam, Weller formed the Style Council with Mick Talbot, a member of the Jam-inspired mod revival band the Merton Parkas. After a handful of initial hits, the Style Council proved to be a disappointment and Weller fell out of favor, both critically and commercially. At the end of the decade he disbanded the group and went solo in the early '90s; his solo albums were both artistic and popular successes, returning him to the spotlight in the U.K. The legacy of the Jam is apparent in nearly every British guitar pop band of the '80s and '90s, from the Smiths to Blur and Oasis. More than any other group, the Jam kept the tradition of three-minute, hook-driven British guitar pop alive through the '70s and '80s, providing a blueprint for generations of bands to come. --READING FESTIVAL 1978 --1980-1982 --ALL MOD CONS(documentary) --THE SPLIT-- |
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My Interests |
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Music:Member Since: 9/29/2006Band Website: http://www.thejam.org.uk/" thejam.org.uk/ Band Members: Influences: The Who The Small Faces The Kinks The Beatles Curtis Mayfield Sounds Like: Released May 1977 - Highest chart placing #20 1. Art School 2. I've Changed My Address 3. Slow Down 4. I Got By In Time 5. Away From The Numbers 6. Batman Theme 7. In The City 8. Sounds From The Street 9. Non-Stop Dancing 10. Time For Truth 11. Takin' My Love 12. Bricks And Mortar Released November 1977 - Highest chart placing #22 1. The Modern World 2. London Traffic 3. Standards 4. Life From A Window 5. The Combine 6. Don't Tell Them You're Sane 7. In The Street Today 8. London Girl 9. I Need You (For Someone) 10. Here Comes The Weekend 11. Tonight At Noon 12. In The Midnight Hour Released November 1978 - Highest chart placing #6 1. All Mod Cons 2. To Be Someone (Didn't We Have A NiceTime) 3. Mr. Clean 4. David Watts 5. English Rose 6. In The Crowd 7. Billy Hunt 8. It's Too Bad 9. Fly 10. The Place I Love 11. 'A' Bomb In Wardour Street 12. Down In The Tube Station At Midnight Released November 1979 - Highest chart placing #4 1. Girl On The Phone 2. Thick As Thieves 3. Private Hell 4. Little Boy Soldiers 5. Wasteland 6. Burning Sky 7. Smithers-Jones 8. Saturday's Kids 9. The Eton Rifles 10. Heat Wave Released November 1980 - Highest chart placing #2 1. Pretty Green 2. Monday 3. But I'm Different Now 4. Set The House Ablaze 5. Start! 6. That's Entertainment 7. Dream Time 8. Man In The Corner Shop 9. Music For The Last Couple 10. Boy About Town 11. Scrape Away Released March 1982 - Highest chart placing # 1 1. Happy Together 2. Ghosts 3. Precious 4. Just Who Is The Five Oclock Hero 5. Trans Global Express 6. Running On The Spot 7. Circus 8. Planners Dream Goes Wrong 9. Carnation 10. Town Called Malice 11. Gift SINGLES Record Label: Polydor Type of Label: Major |
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My Background and Lifestyle |
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| Occupation: | Music Artist (New Wave) |
My Pictures |
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My Friends |
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bornwina//, FROM THE JAM (Official band page), The Jam DRC, The Underground Jam, All Mod Cons, The Jamd, The Jam Restart, Paul Weller, Amundsen, Golod&Tetka, Robi, Shortys, wigan dolly, Dr. Kalamazoo, Francois Long, brian, Alessandro Questione di Stile, Peer100, Albin & De Beväpnade Hästarna, Stereo Cloaking Device, Zaki - ILISIA CASUALS, The Swipes, Pablito, yazmin §, People Like You, Makk, DEXYS MIDNIGHT RUNNERS, Skinhead Oi Forum, jon, Ian, 80s-Rock, Gerda, James, Los Humberstones, NPK-H, ★Dezyrae★, Dodgy Demo Club, Boo Boo Kitty, PHILLIP, The Toniks, ***aLief*** [paChart_cRew], ciderpunk, Esteban Bender, AMY BIERHAUS, rocks, CODY, Scooters, The FREAK Seventies SHOW, UK SOAPS IN THE POST, KITCHENMEN, CIKUTA, mystedave, Absolutely Rock, Los Autonautas, PRIMATOR CREW, Andy Keys
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the Jam!'s profile has been tagged with the following keywords. Click a tag to search for profiles with the same tags. musical allusions, rick buckler, hippie values, bruce foxton, social commentaries, vocalist songwriter, independent ethics, paul weller, guitarist steve, mod groups, mod bands, leftist causes, impressive string, mid 60s, small faces, sex pistols, jam music, political songs, initial wave, popular band |
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